LIGHT ATLAS
2016. 360 canvases. 8 x 10 inches each. 
 In 2015, I drove 15000 miles around the outside border of the country stopping every 25 miles to paint the landscape. The resulting 360 paintings are hung in the round, as if a cyclorama.  
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POSTCARDS
2016. 5 x 7 inches each. Edition of 180. Painted on the front, Individual text on the back. 
When I drove around the country making the light atlas, I painted, wrote, and sent postcards of the sites I passed back to collectors, friends and family. 
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I love you more than one more day. 
2013. 365 canvases. 10 x 15 inches each. 
In 2013, I painted the sky everyday for one year. The resulting 365 paintings are hung as an installation room.   
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Equinox Clock / Solstice Clock
2014/2016 Series of 4. Each 24 canvases: 6 x 6 inches each. 
On each of the equinox and solstice, I painted a clock over 24 hours, observing shifting light over 1 day.
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Night Walk
2015. 12 Canvases. 15 x 10" each. 
This piece depicts a walk I would take around my childhood home in Maryland. Painting at night, I retraced the walk.  
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Das Tauschregal [The Barter Shelf]
2014. 30 canvases: 10 x 10 inches each. 
In 2014, I traded 30 "objects of value" for the painting of the object. I solicited trade requests and traded with 30 different people, trading out one object per day over 1 month on a shelf in a bookstore.
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360 Sunset
2014. 24 parts: 24 x 6 inches each. 
I painted the sky around 360 degrees at sunset in Joshua Tree, California. The resulting 24 paintings, suggest both a shift of light and color across time and space, animating a kind of virtual sunset.  
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40 Days / 40 Nights
2014. Series of 2 Works: 40 canvases each: 12 x 9 inches. 
I painted the view outside my studio window for 40 days and 40 nights.  
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Rashomon Effect
2014. 30 parts: 9 x 12 inches each. 
Based off the famous shots filmed directly into the sun, I painted directly into the sun over one month.  

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Over / Under
2013. 6 Parts: 15 x 10 inches each. 


Matterhorn, Paris 2014. 
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Light Index
2014. 9 parts: 24 x 6" each


Sky Clock
2012. 8 parts: 24 x 24 each


Any Window. Any Morning. Any Day.
A series of 24 paintings. 
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CCTV
2012. 30 parts: 12 x 16 inches each.
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Even now the mountain is crumbling. 
2015. 9 parts: 18 x 24 inches each. 

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ROWHOUSE PROJECT, Baltimore, 2015
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Everyone you ever loved will die, 2014
Five paintings with accompanying plaques. Each plaque announces the date the painting will be destroyed. The first was destroyed on December 4, 2015. 


Which is the sun, which is the shadow, 2013


LOVE WILL TEAR US APART, 2013


DIDACTIC (UNTITLED), 2013
For this project, I asked 5 writers and curators to each write a wall text from which I would produce a painting, thus reversing the standard relationship of generative and reactive forces. 
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PHUBAI IS ALL RIGHT, 2012


GLASS HOUSE, 2012
A front / back portrait of a single pane of glass at the Glass House, presented in the same frame Johnson designed for the single painting inside the Glass House, a Poussin. 


SIMULCAST OF THE AFTERPARTY, 2011


PORTRAITS, 2012
A series of portraits. Manzoni, Warhol, Beckett, Baldessari, Mies. 


WHITE COLUMNS, 2011
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